Behind the Scenes, Portraits Faith Through Fotos Behind the Scenes, Portraits Faith Through Fotos

Senior Photos Don't Need To Be Cheesy

Why stick with traditional Senior portraits?

Senior photos. I remember the days when everyone passed around their wallet-sized prints and wrote a note on the back for each of their classmates.

I also remember at least half of the images were taken by a "quantity over quality" type studio, where they put the Senior in the same sitting position that they have for the last 340/340 Seniors. Each portrait is the same type of shot, the same tilt of the head, and about 20 variations of the same pose.

Now stop. If you're a photographer reading this, you're already frustrated, and if you're a Senior or the parent of a Senior, please pause and answer this question... Why in the world would you like to remember your/your child's last year of high school- this huge milestone of your/their lives- by these cheesy portraits that look like everyone else?

As an artist, I get bored of the same old work, whether I am the one creating the work or watching others create the same old work, I just get plain tired. And so I'm tired of Senior Portraits for what the majority of people find them to be, just another checkmark on their list before graduation; I'm tired of the redundancy and the traditional posing, lighting, the godforsaken same backgrounds that just are not natural in any world (please search "cheesy photo backdrops" for plenty of examples), and for the lack of better words- I'm tired of the lameness and the artificial, insincere personalities that Seniors are offered in these "quantity over quality" studios. Senior portraits are about YOU, the Senior, and should be personalized to your style and your interests.

Senior photos don't need to be cheesy. Senior photos should be a memorable experience and a fun way to show and record for your children, your children's children, and even for you to remember who you are here and now.

And for the record, I believe in the "QUALITY over quantity" argument of photography.

 
 
 

Behind the scenes

 

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Welcome to Fabulous Las Vegas

Portraits of my friends Lynzie & Bronson in Las Vegas, Nevada.

Since I've started living in the Los Angeles area, I've had unexpected and long awaited traveling opportunities with some of my "life goal" destinations. Not only have I been given the chance to see places around Southern California, but another spot on my list to see was Las Vegas, Nevada.

It was an amazing opportunity to meet up with my friends Lynzie and Bronson in Las Vegas. They had been planning their trip out for months, and I only a week, but I wanted to meet up with them when we were just hours away (a lot closer than being across the country!). Lynzie and I have been friends since kindergarten and they both live near where I am from in Ohio. So, in order to meet up with them, we in a way did a 'photo for travel' trade and I got to see the city in the process. Nothing like traveling with your friends and taking great photos along the way! Here are some of my favorite shots at Caesar's Palace and on our walks around downtown. (More to come in the future of my adventures traveling in Vegas and other places!)

 

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A "Modern Antique" Project

Bringing a little life into the style of antique portraiture in these Mock Wedding portraits with color.

About a year ago, I posted this photo on Instagram..

 
 

"When I heard about The Rescued Film Project (@rescuedfilm), it reminded me of one old photo I picked up at an antique mall several months ago in Wexford, PA. There's such a wonderful mystery about a photo without names, dates, places, or knowing the photographer that saw a specific scene. Was this taken on his or her way to work? How old was the photographer? Why was he or she drawn to the moment? I encourage you, with all old photographs, to appreciate the memory and time that it holds, and not to forget the life that breathes in it, still."

 

With that said, I have this love for antique photos, they just make me so curious. I was inspired to "recreate" photos to mimic the style of antique portraiture. I actually shot these before I graduated. I shot these in May earlier this year. The reason I haven't shared these sooner is because I've been having a creative block with this set of images. Sometimes this happens, and I've realized that I just have to wait it out and let them become what they need to be in order to be shared. I started this project thinking I wanted to share photos that looked worn and sepia tone or black and white. But after months of working with these, I decided that other than the first image, I would leave them images in color to let them come to life. Often times when we take a look at old family photos, we put this "tone" to them and can't or don't imagine what life really looked like other than in the photo. And so, I left these images in color, with an antique wedding setting, style, and wardrobe to not forget the life that has been involved in every photo ever taken regardless of time period, and the life that breathes in it, still.

 

 

Below is a before and after, showing the extensive work in Photoshop to make the atmosphere eerie and intriguing in this specific photo. 

 

Behind the Scenes

 

A very special thanks to the people who made this shoot possible...

Models: Daniel & Bethany Snoke

Wardrobe: Shiloh Leath

 

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The Lafferty Family

Portraits of the very sweet Lafferty family in Gibsonia, PA earlier in the summer.

I can't think of a way to explain the capacity of genuine love Terry and Jenny Lafferty have for their children. It astounds me how sweet and patient they are with them all. And what beautiful kids they are inside and out! Thinking of all the laughs while photographing them interacting together just makes me smile. Scrolling through these photos, I can't help but hear those contagious giggles! It was such a beautiful day for photos too! It was a little bright at times with their pretty blue eyes, but I love all of these images showing so much joy and nostalgia of childhood.

(I missed taking photos of Patrick as he was away at school and working. Hopefully we will catch him next time around!)

 

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Internship with Kaela Speicher: Week 4

Behind the scenes of Kaela's studio shoot for male modeling portfolio.

     Studio sessions are oh-so enjoyable with feel-good music, a versatile area and window light to shoot in, and when you can smell donuts from the shop next door. This week, I assisted Kaela for her shoot that had several looks for a modeling portfolio, in a cute studio in the Strip District.

     Watching shoots taking place from the perspective as an intern has made me realize that just slowing down, taking a step back, and breaking down what you need accomplished in a shoot, everything will (or should) flow more smoothly. Kaela has top notch organizational skills, so seeing her work is mind blowing how well everything lines up in preparation, and time wise. She shared with me her process in planning details from makeup and hair, wardrobe decisions, and replicating a specific look with clients that guided the shoot along in a functional way. 

     After doing some excellent reflector holding, I helped pack up the gear before looking at the images on her desktop. We went through the images and talked about why one photo could work over another, and what she may look for or what stands out in selecting an image. We also discussed ways that retouching may improve an image over another.

     We also went over the importance of LinkedIn, which I have admittedly neglected my page since I was unaware of the value behind it. LinkedIn is a professional way to connect to others and businesses, reach out to them, and to research job opportunities. You are able to upload your résumé, projects, list your experience of work, awards, and so much more. My LinkedIn page is lookin' pretty nice, if I do say so myself, and you are able to view my profile here: Leah's LinkedIn Profile.


 

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BTS of Out of the Fog: Shiloh Leath (Part 2)

Part 2 of the behind the scenes look at the final shoot with Shiloh Leath for Out of the Fog, focusing on the specific styling, use of fog, editing techniques, and symbolism in final images.

     As mentioned last week, this week I would like to share my thought process behind the specific look shared through the tones, use of fog, and other editing techniques in Shiloh's Out of the Fog shoot, along with the symbolism and poetry in her portraits.

     Why did I choose specific lighting set ups and editing techniques through tones? For this project, I was highly inspired by the works of Michael Bader, Laurie Bartley, and Jade Mai. Each of these artists' works has a feel of cinematic quality through lighting and editing techniques Their technical skills are combined with symbolism, that is presented through their models and scenes, making them appear significant. By editing in a cinematic type style, it shows that the model is part of a story, and have their own story.

     Why is there fog? Fog causes confusion and a loss of sense of direction, which can mean either physically or mentally. Fog can also represent danger as it hides things from us, like truth. So, in this series, the fog is presented as a symbol that represents all the cloudiness and confusion of who the model is, as they are literally coming out of the fog and revealing who he or she is.

     So why does her nose appear to be broken or cut? As mentioned last week, through the final images, I wanted to get across every essence of the pain that she has faced, and how she has risen from it. I wanted to present her in a beautiful way as though she has literally healed and risen up to where she is now, although the mark is left behind in a subtle way that may be noticed at first or second glance.

     Why did I choose the outfit? Shiloh is a photographer as well, and works with mostly female models in the fashion and fine art categories. I wanted to portray her how she would portray one of her own models, as this art form of photography is so much a part of who she is.

     What does the poem mean? The poem reads: "Buried alive/The flesh will fail./Into the fray,/Battle the veil." This poem follows the idea of Shiloh rising from the pain that she has suffered from, and that physically we weaken. For the second portrait of her, I wanted to have her picking up her dress and walking with such intensity as though she were literally about to go into battle ("Into the fray). Shiloh shared with me that she feels very strongly about feminism, therefore "Battle the veil", a veil as it represents female power.

     Here are the before and after shots of each image.

Before

After

After

Before

After

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My Sister the Senior

Lydia is graduating!?

     Have you ever had a photo assignment that you thought “piece of cake!” when the talk about it came up? And when you least expected it, it became the most challenging shoot to date?

     I never thought I would be the emotional type when it came to my siblings growing up. But several months ago, my ‘little’ sister asked if I could do her senior photos. Lydia and I have gotten closer since I’ve moved away from home for school (which is ironic to me, because we’ve shared a bedroom for almost 18 years). But I think photographing the things and people you are closest to can typically become your toughest challenges. To ‘remove’ yourself from the moment, while being a part of that moment is, in my opinion, is a challenge of every photographer.

     Every day is a learning experience, whether you're a photographer, cashier, unemployed, college student, or a 99 year old grandma. But for Miss West Holmes Senior, Lydia Marie Schonauer, it’s just beginning.

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