Print Portfolio
My print portfolio case by Shrapnel Design & my final selected portfolio images.
As you may know, I graduated at the end of June this past year from The Art Institute of Pittsburgh. In order to graduate, one of the requirements was to show a print portfolio to the faculty and at the Portfolio Show. This portfolio book is also a tool to show potential employers your work that may not be displayed directly on your website portfolio, but is still consistent in style. The portfolio includes my best work created up until graduation, along with an artist statement. It is a difficult self-assignment because of all the decisions that need to be made, and in a timely fashion. These decisions include what type of case, plastic sleeves or no plastic sleeves, what type of paper to print on if you are printing yourself, choosing which images show your overall and consistent style; from there, the layout of the images on the page, and many more technicalities. A lot of time and thought went into this print portfolio, although all the prep work goes unseen.
I chose to order my white aluminum case from Shrapnel Design and use plastic sleeves to protect the prints. My portfolio is 11x17 in order to show the closest crop size as possible to the originals, and printed at full bleed. The average number of images in a portfolio should be about 15-25 and display your technical skills and creative ability, in a consistent manner that reflects your branding. An artist statement about my work is displayed before the images. The cover of my portfolio reflects the watermark that I use for social media which "Faith Through Fotos" printed at the bottom.
So here it is, my artist statement (able to be clicked on to read more easily) and my print portfolio from this past year!
Live by faith & share through fotos.
I Graduated!
A look into my presentation for AIP's Portfolio Show at Heinz Field.
The day I've been preparing for my entire life. College graduation. I started my photography career at The Art Institute of Pittsburgh in October of 2012, and in almost three years time, and a heck of a lot of hours and money invested in my work, and bam, June 19, 2015 I graduated with my Bachelor's of Science in Photography. The day before, June 18, was the quarterly Portfolio Show held at Heinz Field, where all majors at The Art Institute present all of our best work to professors, employers, friends, family, and the public.
At AIP, at the Portfolio Show, in order to graduate, we put together a print and web portfolio, résumé, social media platforms, promotional pieces, and a display; and really, the sky is the limit on the direction we take this and how much effort we put into it. So being the "go hard or go home" person I am when it comes to photography and putting all I have (sleep included) into projects, I wanted this to be the best I could have done. With my love of movies and inspiration I get from them, I decided that I wanted the overall theme to be something like a movie premiere.
I drew up a rough design for my display and went over building ideas with my dad, who will literally build you a wall if you ask him to. Dad prepped the wall and the frames for my display, and later hung them up the morning of Portfolio Show to make sure everything worked out.
I decided I wanted to have a simple sign for my table resembling the signs at movie theaters, so I planned to use the simple watermark I use on my photos. The sign was built all by hand by the talented Alyssa Emigh of AKE Fabrications. Alyssa built the sign as a "box" so we were able to put lights behind the acrylic front and look just like a movie title sign.
Then I reached out to Amber Wellman, a graphic designer from The Art Institute, who does flippin' amazing work no matter what it is, and asked if she would like to collab on my display. I was so very excited to work with Amber as she designed the "movie poster" photos to be used as display images and promotional posters!
I also added goodie bags to the table filled with "white trash" candy, as some call it. I thought it might be a little less weird and definitely more creative if I went with a title that would fit my photos and branding. Here is the tag and recipe I used for the mix which turned out delicious, I had to sneak a couple bags.
And finally, for my print portfolio, I chose to work with Shrapnel Design out of Vancouver. They do beautiful work and I highly recommend looking into them if you ever need a portfolio case. I went with an aluminum case painted white with black etching on the cover to again tie in the watermark I use for my images. They posted the final look of my case on their Instagram page (below). As a side note, I will be sharing my print portfolio with you in the near future!
With the hustle and bustle of the early morning at Heinz Field, I didn't even think to take photos of my display with my camera, but I got some shots with my phone. Here is the final display that so much work from so many people helped me with! Thank you so much to everyone who was a part of making this possible! I also made my thesis book, Out of the Fog , and promotional video a part of my display.
Although I didn't get shots of the day with my camera myself, Jake Doerr did. The following photos are all by Jacob Doerr.
Thank you for the great photos, Jake! See more of his work at jdoerrphoto.com.
With lots of pizza and Chinese take out in between, I spent time with some great people and artists that I was able to collaborate with and make this big pile of stress into a pretty awesome presentation. So this blog post is dedicated to all of you lovely souls who made this a reality! Thank you, thank you, THANK YOU(!!) for all of your hard work and lets collaborate in the near future!
Live by faith & share through fotos.
YPA Gallery in NYC
A look into the YPA Boundaries gallery hosted at The Art Directors Club in New York City on February 24, 2015.
Surreal doesn't come close to the feelings and thoughts I experienced while walking into The Art Directors Club in New York City for the Young Photographer's Alliance (YPA) "Boundaries" gallery. Seeing my work hanging along other photographers' work from around the world is indescribable.
Early on the morning of February 24, I traveled with my mom and sister from Pittsburgh to New York on a bus to celebrate my sister's birthday, and to see my work completed through the Mentorship Program in Pittsburgh from this past summer, sponsored by the YPA. As a conclusion to the Mentorship Program, following our required PR event, as we chose to hold a gallery at Studio 3702 in Lawrenceville of Pittsburgh, this event was quite an honor. The gallery was held by The Art Directors Club, which is a huge space and perfect for the event.
Before the doors opened for the event, this is the large space our work was displayed in. The room was entirely filled with other artists and guests by the end of the night. (photo by Amy Schonauer)
Being completely exhausted from the long bus trip, bearing the negative temperatures, and navigating New York, it added to the shock factor of everything to take in, as I walked through the doors. Mentors, mentees, Art Directors, and New Yorkers walked through the space the entire evening while reading and viewing everyone's projects. There are a few things that I learned, or rather were reinforced when at the gallery.
1. Be a part of the photographic community. Whether it be brainstorming with others, asking what their opinion is about a body of work, talking about business, or complimenting their work, be active and be in it. Go to events and exhibitions, and learn what is happening in the art world, what is trending, and where our inspiration comes from.
2. Take the time to look into other's work. Don't hide behind your artwork and wait for professionals to come to you. Seek out other's work that inspires or challenges you, and know why it does so. Study those that came before you and what led to the photographic industry now.
3. Network always. A simple concept, but one of the greatest pieces of advice. Make connections, not just for your benefit, but to help each other grow and spread ideas.
4. Get out there! Become known to those in your community and your audience. YOU have to make the first step and take initiative to show your work.
Standing with YPA Mentees and Mentors from across the U.S., Canada, and England that were able to be at the New York gallery. (Photo from Young Photographers Alliance Facebook page, photo by Lawrence Lucier)
Thank you to the volunteers and leaders of YPA for putting this program together. Thank you to those a part of The Art Directors Club for letting us display our work. Thank you to my Pittsburgh mentors Jon Lisbon, Brian Kaldorf, Laura Petrilla, and Jenn Saffron, and my fellow Pittsburgh mentees Allaire Bartel and Mariah Wild for pushing every one of us through the program. Thank you to my mom for getting me to New York to experience the show. And thank you to everyone who served and attended the Young Photographers Alliance "Boundaries" Gallery in New York City.
Live by faith & share through fotos.
Interview with Jacquelyn Cynkar on "Boundaries"
Interview with Jacquelyn Cynkar from The Alliance for Contemporary Photographic Learning about the YPA sponsored "Boundaries" gallery held in Pittsburgh and NYC.
(Left to Right) Myself, Allaire, and Mariah at the Boundaries gallery in New York City held at The Art Directors Club on February 24, 2015.
A giant thank you to Jacquelyn Cynkar from The Alliance for Contemporary Photographic Learning for interviewing Mariah Wild, Allaire Bartel, and myself about the YPA "Boundaries" gallery held at Studio 3702 in Lawrenceville this past September, and most currently at The Art Directors Club in NYC!
You can see our interview about the Lawrenceville gallery, our experience in photography, what inspires us, and how many times I can say the word 'amazing' (I now know that it's a lot) in the link below.
You can read our "Boundaries" interview at the link here: The Journey Begins...
Live by faith & share through fotos.
Laying Framework for "Boundaries"
Behind the scenes of framing the YPA "Boundaries" images in collaboration with my Dad.
A few weeks ago, I shared photos from the YPA "Boundaries" Gallery that took place at Studio 3702 in Lawrenceville, downtown Pittsburgh. What you may or may not know is that the frames that displayed my photos were a side art project for my Dad and I to complete together.
You're probably wondering why I wouldn't have just bought frames. When looking at the images of these people, I wanted the frame to resemble looking through a window into this little world of "wisdom". (To read more on my series, visit my previous blog post or gallery on my home page). Plus, I love collaborating in DIY projects, and this was right up Dad's alley. And I can't forget the deal breaker- building something yourself can save a heck of a lot of cash, just don't forget the amount of time you're exchanging.
The frames were handmade from simple barnwood found in my grandparents barn. My Dad had glass cut for each frame and rigged a system that lit my images from behind, which unexpectedly created an effect that made the characters in the photos become much more real and 3D. Something that can be simply put into words doesn't always give credit for the amount of time spent working on a given project.
Thank goodness Dad is a genius when it comes to building things. With my own doing, the frames probably would have been hanging upside down. Being grateful only begins what I am for having Dad and others that support me and my art, let alone collaborate with me! Thank you times a million!!
Dad holding the final product after a full week of work on the five frames we designed and he built from scratch.
Live by faith & share through fotos.
Facing Boundaries in "Boundaries"
My thoughts and many thanks on the YPA "Boundaries" Gallery at Studio 3702.
Photo courtesy of Anne Troxel / Edited by Leah Schonauer
As many have seen through social media, this summer I was chosen to be a part of the Young Photographers Alliance (YPA) Mentorship Program. This program was a national project where mentees were chosen from participating cities and worked with mentors to explore and create a series. During the course of about three months time, each of us were to create a series of work relating to the theme "Boundaries".
I was so happy to use this opportunity to work with big photographers from around Pittsburgh, Jon Lisbon, Laura Petrilla, Brian Kaldorf, and Jen Saffron (Public Relations), and getting to know the other mentees, Mariah Wild and Allaire Bartel.
One thing I didn't expect was the amount of work it takes to put something together like this. Each quarter at The Art Institute, our final projects are usually a series of work that I can hammer out the images I want in a short amount of time. It was frustrating having to drive back from home over summer break several times for an hour meeting, and it was time and energy consuming. Scheduling my photos and finding time to composite it all was not something I wanted to add to the calendar, with my summer quarter of school starting. Then there was the cold calls and promoting that was a new thing to us all. My initial excitement was buried and hidden as this had become my sixth class I was taking for the quarter and nevertheless, more work.
I think this is how many great things come together. The initial idea of a project is always so appealing, but when I'm thinking of final images, I never take into consideration the work and the stress throughout the production. But the truth of the matter is that 9 times out of 10 we have to work through tough situations that are just plain time consuming, energy draining, physically exhausting, and sometimes emotionally tiring, too. If we realized how much of a toll it was to make a piece of art that had the potential to be our best to date, would we, as artists do it? Maybe I wouldn't depending on the situation, but I feel that as artists, especially, this is an opportunity to grow as people and in our art form to take on these, well, boundaries.
Now I am in no way degrading or looking down on the YPA program, because it was an absolute honor to be a part of it! What I am saying is that we need to be aware that success and great opportunities take hard work and dedication to come through and become something we can't even imagine. It's kinda like that Spider-Man quote, "With great power comes great responsibility." That Ben Parker, what a smart man. (Yes I totally just quoted Spider-Man in a blog post).
This program taught me things that I may never have learned about involving the process of developing concepts, shooting the photos, and promoting the final images just to name a few. The most important thing I took away was to let projects become something else, if that's the direction it can take to become more powerful and well rounded. We can't be stubborn to do photos or any type of work in such a rigid way, if it can be shared in another, better way. Let art evolve and change, while presenting your changed perspective through this art.
The gallery opening was more than I could ask for, and made all those prior boundaries seem like nothing at all. Every ounce of thought put into the show was worth it, and through promoting and networking brought an amazing turn out of support. That gut feeling when something works out perfectly and looks better than you imagined was the description of the Boundaries opening- maybe it was just nerves and butterflies, but I know there was a mixture of gratitude for frustration, stress, and work with it.
THANK YOU!
I want to thank everyone SO MUCH from the bottom of my heart who has been a part of the YPA Mentorship and the Boundaries Gallery. You all have been the absolute best support and I am especially grateful for everyone who came to the much anticipated gallery at Studio 3702 on September 12, and those who sent messages who weren't able to be there.
Thank you to Jon Lisbon, Laura Petrilla, Brian Kaldorf, and Jen Saffron for being the best Pittsburgh mentors and giving your time to help develop and produce a meaningful and amazing group of artwork! Thank you Laura for also opening up your studio for our meetings and to display our photos. Along with that, thank you to Mariah Wild and Allaire Bartel, a couple of extremely talented photographers and it has been so exciting to see our projects evolve, and come together to become something amazing. You both should be so proud of the work you've accomplished! Hard work definitely pays off.
I couldn't have done any of the images without any of my models, Aunt Donna, Grandma Garnet, Grandpa Bill, Rudy Oiler, and Pauline Roberts. Absolutely the sweetest people to work with, and to know. I wish I could have brought the show to all of you!
A giant thank you to my Dad for hand making my frames that he so gladly collaborated with me on. It was so cool to work together on a project that we both enjoy, and good grief, the man is a genius when it comes to building things.
Thank you to my Mom, for helping me travel and to shoot the "Boundaries" project, and for encouraging every project I have done (and for helping me keep my sanity when it all seems so overwhelming). And thank you for waking up at the crack of dawn and coming to Pittsburgh to spend time with me on this special day. Thank you also to Aunt Julia for joining our spontaneity!
Special shoutout to Jessica Kieffer for driving nearly four hours to just come see me at my gallery, and also to Katie Krocker and Brandon Schwartz, the cutest couple ever who drove all the way from Ohio to surprise me this evening. Y'all are the best!
Thank you to all my friends at The Art Institute for taking time to come see our show and hang out with us. And thank you to my North Hills family for supporting me in every adventure I take on! If I missed anyone, know that I appreciate all that you have done by ever helping and encouraging me.
Thank you, thank you, THANK YOU!! I am so so so grateful. I love you guys!