Senior Photos Don't Need To Be Cheesy
Why stick with traditional Senior portraits?
Senior photos. I remember the days when everyone passed around their wallet-sized prints and wrote a note on the back for each of their classmates.
I also remember at least half of the images were taken by a "quantity over quality" type studio, where they put the Senior in the same sitting position that they have for the last 340/340 Seniors. Each portrait is the same type of shot, the same tilt of the head, and about 20 variations of the same pose.
Now stop. If you're a photographer reading this, you're already frustrated, and if you're a Senior or the parent of a Senior, please pause and answer this question... Why in the world would you like to remember your/your child's last year of high school- this huge milestone of your/their lives- by these cheesy portraits that look like everyone else?
As an artist, I get bored of the same old work, whether I am the one creating the work or watching others create the same old work, I just get plain tired. And so I'm tired of Senior Portraits for what the majority of people find them to be, just another checkmark on their list before graduation; I'm tired of the redundancy and the traditional posing, lighting, the godforsaken same backgrounds that just are not natural in any world (please search "cheesy photo backdrops" for plenty of examples), and for the lack of better words- I'm tired of the lameness and the artificial, insincere personalities that Seniors are offered in these "quantity over quality" studios. Senior portraits are about YOU, the Senior, and should be personalized to your style and your interests.
Senior photos don't need to be cheesy. Senior photos should be a memorable experience and a fun way to show and record for your children, your children's children, and even for you to remember who you are here and now.
And for the record, I believe in the "QUALITY over quantity" argument of photography.
Behind the scenes
Live by faith & share through fotos.
A "Modern Antique" Project
Bringing a little life into the style of antique portraiture in these Mock Wedding portraits with color.
About a year ago, I posted this photo on Instagram..
"When I heard about The Rescued Film Project (@rescuedfilm), it reminded me of one old photo I picked up at an antique mall several months ago in Wexford, PA. There's such a wonderful mystery about a photo without names, dates, places, or knowing the photographer that saw a specific scene. Was this taken on his or her way to work? How old was the photographer? Why was he or she drawn to the moment? I encourage you, with all old photographs, to appreciate the memory and time that it holds, and not to forget the life that breathes in it, still."
With that said, I have this love for antique photos, they just make me so curious. I was inspired to "recreate" photos to mimic the style of antique portraiture. I actually shot these before I graduated. I shot these in May earlier this year. The reason I haven't shared these sooner is because I've been having a creative block with this set of images. Sometimes this happens, and I've realized that I just have to wait it out and let them become what they need to be in order to be shared. I started this project thinking I wanted to share photos that looked worn and sepia tone or black and white. But after months of working with these, I decided that other than the first image, I would leave them images in color to let them come to life. Often times when we take a look at old family photos, we put this "tone" to them and can't or don't imagine what life really looked like other than in the photo. And so, I left these images in color, with an antique wedding setting, style, and wardrobe to not forget the life that has been involved in every photo ever taken regardless of time period, and the life that breathes in it, still.
Below is a before and after, showing the extensive work in Photoshop to make the atmosphere eerie and intriguing in this specific photo.
Behind the Scenes
A very special thanks to the people who made this shoot possible...
Models: Daniel & Bethany Snoke
Wardrobe: Shiloh Leath
Live by faith & share through fotos.
On Veterans Day
Final images from my shoot inspired by Call of Duty, with behind the scenes and before and after images.
Final image from Collin's shoot used for my print portfolio.
My inspiration for this shoot originally came from Call of Duty. My brothers used to be in love with the game, and gosh darn it, their promo photos are so good. Google Image search "Call of Duty" and you will agree completely. Plus, my friend Collin has been wanting to do a shoot for quite some time using all of his airsoft gear. We did the shoot in two sessions, one at sunrise and one at sunset, which makes for a pretty long day, but the crew had a nice long break for naps between. The team included Collin Galbraith as the model, Chelsea Black and my brother Jonathan Schonauer as assistants.
Although this was a personal project inspired by a video game, on a serious note, I'd like to dedicate these images to all the Veterans that have served our country. I take every thing I have for granted on a daily basis, forgetting the freedoms that I have, thanks to the brave American troops this country has, and our Awesome God. I debated sharing these images on Veterans Day because I didn't want them to be "offensive" in any way to make military or war look "easy" or "pretty" with all the Photoshop and setting up this shoot took. And I hope that that message doesn't get passed on through the images. I want these photos to represent the soldiers as individual people and be a reminder of the incredible sacrifice they have made. It's not much, but I just want these images to say "Thank you!".
Below is a before and after, showing the extensive work in Photoshop to make the atmosphere eerie and intriguing in this specific photo.
Behind the Scenes
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 7
Behind the scenes of a men's fashion shoot in Ohio.
As a photographer, there are always locations I keep secret and in mind for future shoots, just waiting for the perfect concept to make itself known. Kaela did the same with this location in the boonies of Ohio for a men's fashion shoot. We had a great team to work together for the day: Kaela was the photographer of course, makeup by Hannah Donovan, hair by Colton DeLong, stylist Teera Doner, model Gabriel Hopkins, and I assisted.
The look Kaela was going for was, and I quote, "new age refined lumber jack, Mumford and Sons meets runway". I love that description, and lets all agree here that everyone's work nailed it for this shoot!
The day was a long one, mostly from the heat and the bugs, and a random torrential downpour, but oh such a fun one seeing this shoot come together! Plus, it was in my favorite state and we were out in the country, so I felt right at home. And lo and behold, a rainbow was across the sky as we crossed the Pennsylvania state line. Happy endings, am I right?
While assisting and fighting off bugs, I was able to capture some moments behind the scenes again. Here are some of my favorites from the day!
See Kaela's images of Gabriel over on her website: Kaela Speicher Photography. You can click the link, or click the image below to see Gabriel's gallery.
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 4
Behind the scenes of Kaela's studio shoot for male modeling portfolio.
Studio sessions are oh-so enjoyable with feel-good music, a versatile area and window light to shoot in, and when you can smell donuts from the shop next door. This week, I assisted Kaela for her shoot that had several looks for a modeling portfolio, in a cute studio in the Strip District.
Watching shoots taking place from the perspective as an intern has made me realize that just slowing down, taking a step back, and breaking down what you need accomplished in a shoot, everything will (or should) flow more smoothly. Kaela has top notch organizational skills, so seeing her work is mind blowing how well everything lines up in preparation, and time wise. She shared with me her process in planning details from makeup and hair, wardrobe decisions, and replicating a specific look with clients that guided the shoot along in a functional way.
After doing some excellent reflector holding, I helped pack up the gear before looking at the images on her desktop. We went through the images and talked about why one photo could work over another, and what she may look for or what stands out in selecting an image. We also discussed ways that retouching may improve an image over another.
We also went over the importance of LinkedIn, which I have admittedly neglected my page since I was unaware of the value behind it. LinkedIn is a professional way to connect to others and businesses, reach out to them, and to research job opportunities. You are able to upload your résumé, projects, list your experience of work, awards, and so much more. My LinkedIn page is lookin' pretty nice, if I do say so myself, and you are able to view my profile here: Leah's LinkedIn Profile.
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 2
Behind the scenes of a men's fashion shoot with Kaela.
This week for my internship, I started off Sunday afternoon by assisting Kaela on an all day men's fashion shoot in several locations around Pittsburgh. Doran Mauldrin was the model, makeup and hair done by Hannah Donovan, and styled by Teera Doner.
Pulling ideas from the inspiration board Kaela had put together, the team brought to life the look she had envisioned. Starting with studio headshots, we went over basic lighting techniques and how to make them most effective for men and women. She even set up some shots for the recently famous "man bun" appearance.
We packed up and drove around to different locations around downtown Pittsburgh with very unique characteristics (thank you Google maps), but spots that had the most beautiful natural light. There were outfit changes between each location change to best suit the surroundings. Doran, being a fairly new model took direction from Kaela very well, and caught on very quickly to subtleties that can improve the appearance of the portrait when viewed from a camera's perspective. Through this all, I learned how to make the most flattering and most effective light in any location. I also picked up on ways to pose male models, because let's face it, it's a challenging thing to do.
The shoot also enforced why it's so important to work with other creatives. When a photographer is busy worrying about if a shirt is wrinkled, the makeup is showing to much shine, or there needs to be a reflector to fill the shadows, it can be overwhelming and exhausting to continue to compose the shot and direct the model, and expect to get exactly what you're looking for. Having others who specialize in each area to work with will make an overall more impactful and more professional outcome of the photograph you are wanting. Period.
In my time outside of class and shoots, I have been working on my retouching skills, one photo at a time. Patience is a must-have when it comes to retouching, but it is well worth it with the final image. My hopes are to use these things I've learned while working with Kaela and apply them to portfolio for graduation, and the time to follow.
While assisting, I made sure to get behind the scenes photos to share. Below are some of my favorites.
And here are a few of Kaela's images she released early. See more of her work on her website: kaelaspeicher.com.
Live by faith & share through fotos.
BTS of Out of the Fog: Shiloh Leath (Part 2)
Part 2 of the behind the scenes look at the final shoot with Shiloh Leath for Out of the Fog, focusing on the specific styling, use of fog, editing techniques, and symbolism in final images.
As mentioned last week, this week I would like to share my thought process behind the specific look shared through the tones, use of fog, and other editing techniques in Shiloh's Out of the Fog shoot, along with the symbolism and poetry in her portraits.
Why did I choose specific lighting set ups and editing techniques through tones? For this project, I was highly inspired by the works of Michael Bader, Laurie Bartley, and Jade Mai. Each of these artists' works has a feel of cinematic quality through lighting and editing techniques Their technical skills are combined with symbolism, that is presented through their models and scenes, making them appear significant. By editing in a cinematic type style, it shows that the model is part of a story, and have their own story.
Why is there fog? Fog causes confusion and a loss of sense of direction, which can mean either physically or mentally. Fog can also represent danger as it hides things from us, like truth. So, in this series, the fog is presented as a symbol that represents all the cloudiness and confusion of who the model is, as they are literally coming out of the fog and revealing who he or she is.
So why does her nose appear to be broken or cut? As mentioned last week, through the final images, I wanted to get across every essence of the pain that she has faced, and how she has risen from it. I wanted to present her in a beautiful way as though she has literally healed and risen up to where she is now, although the mark is left behind in a subtle way that may be noticed at first or second glance.
Why did I choose the outfit? Shiloh is a photographer as well, and works with mostly female models in the fashion and fine art categories. I wanted to portray her how she would portray one of her own models, as this art form of photography is so much a part of who she is.
What does the poem mean? The poem reads: "Buried alive/The flesh will fail./Into the fray,/Battle the veil." This poem follows the idea of Shiloh rising from the pain that she has suffered from, and that physically we weaken. For the second portrait of her, I wanted to have her picking up her dress and walking with such intensity as though she were literally about to go into battle ("Into the fray). Shiloh shared with me that she feels very strongly about feminism, therefore "Battle the veil", a veil as it represents female power.
Here are the before and after shots of each image.
Before
After
Before
After
Live by faith & share through fotos.