Print Portfolio
My print portfolio case by Shrapnel Design & my final selected portfolio images.
As you may know, I graduated at the end of June this past year from The Art Institute of Pittsburgh. In order to graduate, one of the requirements was to show a print portfolio to the faculty and at the Portfolio Show. This portfolio book is also a tool to show potential employers your work that may not be displayed directly on your website portfolio, but is still consistent in style. The portfolio includes my best work created up until graduation, along with an artist statement. It is a difficult self-assignment because of all the decisions that need to be made, and in a timely fashion. These decisions include what type of case, plastic sleeves or no plastic sleeves, what type of paper to print on if you are printing yourself, choosing which images show your overall and consistent style; from there, the layout of the images on the page, and many more technicalities. A lot of time and thought went into this print portfolio, although all the prep work goes unseen.
I chose to order my white aluminum case from Shrapnel Design and use plastic sleeves to protect the prints. My portfolio is 11x17 in order to show the closest crop size as possible to the originals, and printed at full bleed. The average number of images in a portfolio should be about 15-25 and display your technical skills and creative ability, in a consistent manner that reflects your branding. An artist statement about my work is displayed before the images. The cover of my portfolio reflects the watermark that I use for social media which "Faith Through Fotos" printed at the bottom.
So here it is, my artist statement (able to be clicked on to read more easily) and my print portfolio from this past year!
Live by faith & share through fotos.
Wake Up, Sleeper
Final images revealed from my personal project, "Wake Up, Sleeper" in collaboration with makeup artist Alyssa Emigh and my friend Victoria Venskoske. Script from a class also included that I have integrated with this short series.
One of my favorite images, and the final image I used in my print portfolio.
I've been debating the way I should go about sharing this group of images for several months now. This photo shoot was put together in April when I began drawing inspiration images for my print portfolio to first be shown at The Art Institute of Pittsburgh's quarterly Portfolio Show when I graduated. I wanted to collaborate with another artist specifically for this shoot, and special effects makeup was the way I decided I would go. I knew I had wanted to do a "mermaid" themed shoot with my friend Victoria for quite a while. When your friend has purple and blue hair and your a photographer, there's no question about who to use for a model. Funny enough, I first got the idea to have her model for me because she wore a shirt to school that said something along the lines of "I'm a Mermaid". Later I pulled inspiration from Ephesians 5:14, "This is why it is said, 'Wake up, sleeper, rise from the dead, and Christ will shine on you.'" I wanted the shoot to have this idea of a "mermaid" turning away from her life that was not what she wanted and not where she was supposed to be. The crystals on her face would represent the time that she had been in that stagnant place and almost appeared to be dead (rise from the dead). She then "wakes up" and realizes where she not only wants to be, but where she is meant to be.
I ended up using a single image from this shoot for my print portfolio, but I enjoyed the images so much as a whole that I wanted to do something bigger to share them. It didn't dawn on me until a couple weeks ago that I had written a short script for my Conceptual Storytelling class at The Art Institute. This was actually a filmmaking elective rather than a photography class, but I took it to have enough credits to graduate on time. I also thought it would be a neat opportunity to work on developing a story for each of my series, and would help me to see movies (which is where I draw a lot of my inspiration) in another way, as far as the way the story is told.
In the first planning stages, the way I develop a photograph in my head is really like a mini movie trailer, literally playing like a scene of a film rather than just still images. Then in the following planning steps, I'll decide on makeup, hair, location, lighting, etc. I work on this entire process all while trying to figure out who the character is, where they came from, what their motivation is, and what is driving the story.
This script was an in-class assignment, assigned at 8:00 AM and due before class was over at noon. Trying to figure out what the heck I should write about, and never having experience writing a script or really any story that wasn't totally lame or in third grade (especially at 8 in the morning), I kept going back to the idea behind this "mermaid" themed shoot that I had been editing on and off the last several weeks. I kept thinking how amazing it would be to know what was going through this character's mind and why she was where she was and what her expressions meant. The script was written in early June, so the shoot, which took place in early May, had already been completed, meaning the images don't align in complete perfection. However, I think I've found an awesome process to use in order to do a creative shoot like this in the future and have the viewers try to see this "movie trailer" or "short film" using their imagination between the script and the photos I use together.
>>Side note: I really can't believe I'm posting this script for the general public to read because honest to goodness, I've never been so self-conscious about a piece of writing I've ever done in my life. But it's all for a good cause. Below is the script, followed by the images, followed by some behind the scenes. Enjoy!
Behind the Scenes
A very special thanks to the people who made this shoot possible...
Model: Victoria Venskoske
Special Effects & Makeup: Alyssa Emigh
Assistant: Camille Madison
Location: Jeannie Werner
Live by faith & share through fotos.
I Graduated!
A look into my presentation for AIP's Portfolio Show at Heinz Field.
The day I've been preparing for my entire life. College graduation. I started my photography career at The Art Institute of Pittsburgh in October of 2012, and in almost three years time, and a heck of a lot of hours and money invested in my work, and bam, June 19, 2015 I graduated with my Bachelor's of Science in Photography. The day before, June 18, was the quarterly Portfolio Show held at Heinz Field, where all majors at The Art Institute present all of our best work to professors, employers, friends, family, and the public.
At AIP, at the Portfolio Show, in order to graduate, we put together a print and web portfolio, résumé, social media platforms, promotional pieces, and a display; and really, the sky is the limit on the direction we take this and how much effort we put into it. So being the "go hard or go home" person I am when it comes to photography and putting all I have (sleep included) into projects, I wanted this to be the best I could have done. With my love of movies and inspiration I get from them, I decided that I wanted the overall theme to be something like a movie premiere.
I drew up a rough design for my display and went over building ideas with my dad, who will literally build you a wall if you ask him to. Dad prepped the wall and the frames for my display, and later hung them up the morning of Portfolio Show to make sure everything worked out.
I decided I wanted to have a simple sign for my table resembling the signs at movie theaters, so I planned to use the simple watermark I use on my photos. The sign was built all by hand by the talented Alyssa Emigh of AKE Fabrications. Alyssa built the sign as a "box" so we were able to put lights behind the acrylic front and look just like a movie title sign.
Then I reached out to Amber Wellman, a graphic designer from The Art Institute, who does flippin' amazing work no matter what it is, and asked if she would like to collab on my display. I was so very excited to work with Amber as she designed the "movie poster" photos to be used as display images and promotional posters!
I also added goodie bags to the table filled with "white trash" candy, as some call it. I thought it might be a little less weird and definitely more creative if I went with a title that would fit my photos and branding. Here is the tag and recipe I used for the mix which turned out delicious, I had to sneak a couple bags.
And finally, for my print portfolio, I chose to work with Shrapnel Design out of Vancouver. They do beautiful work and I highly recommend looking into them if you ever need a portfolio case. I went with an aluminum case painted white with black etching on the cover to again tie in the watermark I use for my images. They posted the final look of my case on their Instagram page (below). As a side note, I will be sharing my print portfolio with you in the near future!
With the hustle and bustle of the early morning at Heinz Field, I didn't even think to take photos of my display with my camera, but I got some shots with my phone. Here is the final display that so much work from so many people helped me with! Thank you so much to everyone who was a part of making this possible! I also made my thesis book, Out of the Fog , and promotional video a part of my display.
Although I didn't get shots of the day with my camera myself, Jake Doerr did. The following photos are all by Jacob Doerr.
Thank you for the great photos, Jake! See more of his work at jdoerrphoto.com.
With lots of pizza and Chinese take out in between, I spent time with some great people and artists that I was able to collaborate with and make this big pile of stress into a pretty awesome presentation. So this blog post is dedicated to all of you lovely souls who made this a reality! Thank you, thank you, THANK YOU(!!) for all of your hard work and lets collaborate in the near future!
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 8
Assisting Kaela in a modeling portfolio shoot with Jaclyn.
Over the past two months, some big changes have come about in my life. Towards the end of June, I completed finals, wrapped up everything for Portfolio Show at Heinz Field and graduated from The Art Institute of Pittsburgh with my Bachelors in Photography. Needless to say, I've had my hands full with work, which I will be sharing more about in a later post. But on another note, I'll be catching up on posts from projects and the final weeks of my internship.
First up is behind the scenes of Kaela's modeling shoot with the always stunning, Jaclyn. Jaclyn is building her modeling portfolio, so I assisted during her shoot that took place in studio, downtown Pittsburgh, and Oakland. Jaclyn had a variety of classy outfit choices, and Kaela chose the perfect looks for each location. My favorite look may be the final one with the strips of light shining through the columns. I just love that the dress mimics the columns itself. As always, I'm still impressed with Kaela's abilities to location scout for a specific look and stay organized. A skill that is so necessary when it comes to photography and working with clients.
*Also did I mention Jaclyn looks like Angelina Jolie?!
Check out Kaela's website to see more of her fashion work: Kaela Speicher Photography
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 7
Behind the scenes of a men's fashion shoot in Ohio.
As a photographer, there are always locations I keep secret and in mind for future shoots, just waiting for the perfect concept to make itself known. Kaela did the same with this location in the boonies of Ohio for a men's fashion shoot. We had a great team to work together for the day: Kaela was the photographer of course, makeup by Hannah Donovan, hair by Colton DeLong, stylist Teera Doner, model Gabriel Hopkins, and I assisted.
The look Kaela was going for was, and I quote, "new age refined lumber jack, Mumford and Sons meets runway". I love that description, and lets all agree here that everyone's work nailed it for this shoot!
The day was a long one, mostly from the heat and the bugs, and a random torrential downpour, but oh such a fun one seeing this shoot come together! Plus, it was in my favorite state and we were out in the country, so I felt right at home. And lo and behold, a rainbow was across the sky as we crossed the Pennsylvania state line. Happy endings, am I right?
While assisting and fighting off bugs, I was able to capture some moments behind the scenes again. Here are some of my favorites from the day!
See Kaela's images of Gabriel over on her website: Kaela Speicher Photography. You can click the link, or click the image below to see Gabriel's gallery.
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 4
Behind the scenes of Kaela's studio shoot for male modeling portfolio.
Studio sessions are oh-so enjoyable with feel-good music, a versatile area and window light to shoot in, and when you can smell donuts from the shop next door. This week, I assisted Kaela for her shoot that had several looks for a modeling portfolio, in a cute studio in the Strip District.
Watching shoots taking place from the perspective as an intern has made me realize that just slowing down, taking a step back, and breaking down what you need accomplished in a shoot, everything will (or should) flow more smoothly. Kaela has top notch organizational skills, so seeing her work is mind blowing how well everything lines up in preparation, and time wise. She shared with me her process in planning details from makeup and hair, wardrobe decisions, and replicating a specific look with clients that guided the shoot along in a functional way.
After doing some excellent reflector holding, I helped pack up the gear before looking at the images on her desktop. We went through the images and talked about why one photo could work over another, and what she may look for or what stands out in selecting an image. We also discussed ways that retouching may improve an image over another.
We also went over the importance of LinkedIn, which I have admittedly neglected my page since I was unaware of the value behind it. LinkedIn is a professional way to connect to others and businesses, reach out to them, and to research job opportunities. You are able to upload your résumé, projects, list your experience of work, awards, and so much more. My LinkedIn page is lookin' pretty nice, if I do say so myself, and you are able to view my profile here: Leah's LinkedIn Profile.
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 3 (Part 2)
Reveal of Kaela's shoot in collaboration with Mt. Lebanon Floral that I assisted in retouching.
The second part of Week 3 was spent assisting retouching images for a recent collaboration Kaela shot for Mt. Lebanon Floral. From the first intro to retouching she demonstrated, we went over her retouching workflow from start to finish, and techniques that allows her images to look flawless and, ironically, untouched when it comes to editing.
I am so in awe to have been a part of editing a shoot so absolutely breathtaking! Wonderful work and an incredible shoot to everyone involved. Below is a look book created by Kaela with the final images made by an amazing team, listed below as well.
Team Credits:
Floral Design: Mt. Lebanon Floral
Photography and Wardrobe: Kaela Speicher
Retouching Assistance: Leah Schonauer
Hair: Natosha Durr
Makeup: Shana Lohr
Model: Grace Hogan
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 2
Behind the scenes of a men's fashion shoot with Kaela.
This week for my internship, I started off Sunday afternoon by assisting Kaela on an all day men's fashion shoot in several locations around Pittsburgh. Doran Mauldrin was the model, makeup and hair done by Hannah Donovan, and styled by Teera Doner.
Pulling ideas from the inspiration board Kaela had put together, the team brought to life the look she had envisioned. Starting with studio headshots, we went over basic lighting techniques and how to make them most effective for men and women. She even set up some shots for the recently famous "man bun" appearance.
We packed up and drove around to different locations around downtown Pittsburgh with very unique characteristics (thank you Google maps), but spots that had the most beautiful natural light. There were outfit changes between each location change to best suit the surroundings. Doran, being a fairly new model took direction from Kaela very well, and caught on very quickly to subtleties that can improve the appearance of the portrait when viewed from a camera's perspective. Through this all, I learned how to make the most flattering and most effective light in any location. I also picked up on ways to pose male models, because let's face it, it's a challenging thing to do.
The shoot also enforced why it's so important to work with other creatives. When a photographer is busy worrying about if a shirt is wrinkled, the makeup is showing to much shine, or there needs to be a reflector to fill the shadows, it can be overwhelming and exhausting to continue to compose the shot and direct the model, and expect to get exactly what you're looking for. Having others who specialize in each area to work with will make an overall more impactful and more professional outcome of the photograph you are wanting. Period.
In my time outside of class and shoots, I have been working on my retouching skills, one photo at a time. Patience is a must-have when it comes to retouching, but it is well worth it with the final image. My hopes are to use these things I've learned while working with Kaela and apply them to portfolio for graduation, and the time to follow.
While assisting, I made sure to get behind the scenes photos to share. Below are some of my favorites.
And here are a few of Kaela's images she released early. See more of her work on her website: kaelaspeicher.com.
Live by faith & share through fotos.
1920s Inspired Cinemagraph
My first cinemagraph put together at this weekend's 1920s inspired shoot.
Cinemagraphs are so intriguing, but for some reason, so unsettling. And of course for this reason, I wanted to create my own. Cinemagraphs combine photography and video into one frame of continuous motion, but only of a selected part of the image. The process is a little tricky at first, but planning out the shoot, as always, makes it go much smoother.
We had the opportunity of working with the talented Angela Taylor of Blush Makeup Artistry to create those crazy eyebrows for this 1920s look. I thought a cinemagraph would go along perfectly with this 1920s theme with my dear friend, Elise.
"Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all, ..."
-Emily Dickinson
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 1
My first week interning with Kaela Speicher, and a recently retouched image from a past shoot of mine, edited with retouching techniques taught by Kaela.
This past Monday was my last, first day of a new quarter as a photo student at The Art Institute of Pittsburgh. Oddly enough, I woke up bright and earlier with a huge smile on my face and excited to go to school. Which, in the rule book of a senior college student, I'm assuming that breaks all of them. Needless to say, I was more than excited to start learning one-on-one with Kaela beforehand. We met for our first official internship meeting Monday morning, covering Lightroom workflow and the beginning of retouching.
Retouching and post-production work 'makes my heart happy' if I can put it that way. I love the complete process of making a photo into another that's entirely new. I like to think that I can see the potential a photo has after I've shot it- not because it's a bad photo, but just how much more it can be elevated with post-editing. Retouching is a long process. And when I say it's a long process, I mean a while back I had to go to the chiropractor to get my wrists adjusted because I spent that much time at my computer. As some people dread the editing process, I highly enjoy having endless possibilities of altering a photo, literally at your fingertips. It can get very extensive at times, but seeing the difference from before to after is so rewarding.
Kaela sent me several photos she had shot, to practice her retouching technique. So much effort and time goes into editing, but the results aren't technically even noticeable, because the goal of retouching is to make it look like the photo wasn't touched. The file she had sent me as a reference she had edited had both before and after, and my jaw literally dropped when I saw how much work had been put into the photo. Her editing is so flawless that it's difficult to find the hours invested in such a beautiful image.
Through the week I have been working on different images, practicing the retouching technique that Kaela taught me. There is oh so much more to learn, and many more hours of practice to come. I came across a shoot from just over a year ago I had done with my sister when I first got my Alien Bee, and wanted to rework the editing and style I had previously. Below are the before and after shots- the straight out of camera image and my recently retouched image.
Internship with Kaela Speicher
An overview of my upcoming quarter interning with Pittsburgh photographer, Kaela Speicher.
Photo by Kaela Speicher
Yesterday afternoon I had the opportunity to meet with Kaela Speicher, a highly talented photographer based in Pittsburgh, PA with a passion in her styled fashion photography. Her personal work shows her many skills ranging from envisioning a shoot stylistically to the final retouching in post-production. I met with Kaela to finalize working as an intern with her my final quarter at The Art Institute of Pittsburgh, going over schedules, itinerary, and goals for this exciting opportunity.
When I first saw Kaela's work, I was very interested in her editing style; her retouching is so clean and hides the many hours of post-production in its natural appearance. Looking at her work, you can see the eye she has not only for each shot itself, but for the vision, styling, and location scouting that comes along with each shoot. Even though there is so much work before, during, and hours of editing after shooting for the final image, she enjoys what she does, and it shows.
See Kaela's fashion work on her website: www.kaelaspeicher.com.
Internship Goals
Over the next several months, I will be sharing updates about the Internship process with a look at what I'm learning, behind the scenes, and current projects. With the knowledge that Kaela has in a photography career, I have many goals for this time in working with her.
1. Retouching. Phlearn is an amazing site that has taught me everything I know about retouching and post-production, but I know I can always improve my skills and learn different methods. With the endless possibilities in Photoshop, there are countless ways to approach editing. My goal is to learn to new ways to retouch for a natural and an "unedited" look. Along with this, getting an effective workflow down would benefit my working process.
2. Reviewing technical skills and marketing strategies. Reviewing the basics are never a bad idea, and sometimes you can learn something that you missed the first round. I want to work my way up in reviewing from the basics of photography to business and marketing strategies, as well as building SEO. Some additional steps I would like to cover are what types of jobs are ideal for my personal style in work.
3. Transitioning from the label "student" to "professional". It's the curse of a photo student. People tend to look down on students and not consider them professional until they have degrees. As we are told by our professors, we are to look at our work and ourselves as professionals, as this is the only way we can be viewed as one. However, the actual transition to the real world from student life is harsh and sudden. It's a huge reality check and will make or break you. Upon graduation, I hope to push myself to use my learned skills in a career setting and keep working to find the job for my work.
4. Keeping organized and scheduling shoots in a successful way. It's easy to become bombarded when dealing with multiple sides of a business by yourself and coordinating shoots between a model, makeup artist, hair stylist, and personal schedules. It's a necessity that I learn how to keep this balanced and keeping some sanity along the way.
5. Developing my final portfolio in my style. I feel that often it's difficult to shoot specifically for a personal portfolio. When you are shooting for other people and their visions, it's easy to push your personal work aside. As I am graduating at the end of the Internship, I would like to gear everything I produce to my final portfolio that reveals my personal style.
Internship Final Project
Kaela also introduced the idea for the end of my Internship to shoot a project, and have her as my assistant in the shooting process. This would serve as a final project to showcase my improved skills over the three month period and shot specifically as a personal projects. Highly inspired by the work of Brooke Shaden, a fine art photographer, and Kirsty Mitchell, a fine art and fashion photographer well known for her Wonderland series, I want to develop a conceptual shoot with the intricate details to produce a surreal and styled environment and look. This will also push me to work with other artists for styling and allow me to use composite and retouching techniques as well.
Next week I'll be sharing more about my Internship with Kaela as it officially begins in the new and my final quarter at The Art Institute. Thanks for reading!
Live by faith & share through fotos.
"Alfred and Lucille": A Duane Michals Interpretation
"Alfred and Lucille" is a simple project I shot and developed as an interpretation of Duane Michals' work. With the help of my parents and a little patience in the darkroom, the short sequence turned out rather adorable.
Quote from Duane Michals at The Carnegie Museum of Art
Last month I visited The Carnegie Museum of Art in Pittsburgh to see the exhibit for Duane Michals, which highly inspired me to work on a fun little project of his style. Michals was actually born and raised in McKeesport, Pennsylvania in 1932, which is not too far from Pittsburgh. He is known for his ‘frame-by-frame’ sequences, multiple exposures, and handwritten text on the print itself that he originally was criticized for. However, in my opinion, Michals' work is witty and playful in a relatively simplistic way. His film sequences and portraits are shot on black and white film and he often includes blurred motion to show the movement or action of the subject. He has used family members as the main character in his sequences and has done many personal projects that run along the themes of family, dreams, and death with a lighthearted approach.
Another project that Duane Michals has presented are oil paintings on 19th century collodion prints. For each image, he alters the subjects’ features with vibrant oil paint, drawing from principals of early photography, modern painting, and Surrealism. Each image is rejuvenated with allusions to both Picasso and Picabia. The amazing thing that Michals draws our attention to in this series is the difference between the tintype and artists of the 20th century, and unites them as one art piece. He names some of his subjects as if he knew them, and gives meaning and life to their left behind portraits, which I find interesting as well.
For my project, I drew inspiration from a combination of Duane Michals' sequence work, oil paintings, and shooting with black and white film. Replicating Michals' style in shooting, I shot my sequence on black and white film, while capturing motion and playful expressions. From his work with oil painting on tintypes, I chose Fred and Ginger, 2012 as my photo of reference to base my shoot off of. I photographed my parents (as a side note- thank God for parents that put up with and support my artistic ways) as the characters of Alfred and Lucille as Michals' would depict his family members as characters and name those in his oil paintings. As Michals' would embrace the flaws of his photos as he wrote on them, I did the same with mine, having light leaked paper and bent corners. The final image is painted with acrylic and I applied glitter to add texture, all to mimic the character of Michals' oil paintings.
Information found at: http://www.dcmooregallery.com/artists/duane-michals
My Interpretation
Inspiration
Sequence entitled Grandpa Goes To Heaven, 1989 by Duane Michals. Images shared from The Carnegie Museum of Art's exhibition "Storyteller: The Photographs of Duane Michals".
Oil Paintings by Duane Michals. Images shared from DC Moore Gallery exhibition "Duane Michals: The Painted Photograph".
Live by faith & share through fotos.
Laying Framework for "Boundaries"
Behind the scenes of framing the YPA "Boundaries" images in collaboration with my Dad.
A few weeks ago, I shared photos from the YPA "Boundaries" Gallery that took place at Studio 3702 in Lawrenceville, downtown Pittsburgh. What you may or may not know is that the frames that displayed my photos were a side art project for my Dad and I to complete together.
You're probably wondering why I wouldn't have just bought frames. When looking at the images of these people, I wanted the frame to resemble looking through a window into this little world of "wisdom". (To read more on my series, visit my previous blog post or gallery on my home page). Plus, I love collaborating in DIY projects, and this was right up Dad's alley. And I can't forget the deal breaker- building something yourself can save a heck of a lot of cash, just don't forget the amount of time you're exchanging.
The frames were handmade from simple barnwood found in my grandparents barn. My Dad had glass cut for each frame and rigged a system that lit my images from behind, which unexpectedly created an effect that made the characters in the photos become much more real and 3D. Something that can be simply put into words doesn't always give credit for the amount of time spent working on a given project.
Thank goodness Dad is a genius when it comes to building things. With my own doing, the frames probably would have been hanging upside down. Being grateful only begins what I am for having Dad and others that support me and my art, let alone collaborate with me! Thank you times a million!!
Dad holding the final product after a full week of work on the five frames we designed and he built from scratch.
Live by faith & share through fotos.
Facing Boundaries in "Boundaries"
My thoughts and many thanks on the YPA "Boundaries" Gallery at Studio 3702.
Photo courtesy of Anne Troxel / Edited by Leah Schonauer
As many have seen through social media, this summer I was chosen to be a part of the Young Photographers Alliance (YPA) Mentorship Program. This program was a national project where mentees were chosen from participating cities and worked with mentors to explore and create a series. During the course of about three months time, each of us were to create a series of work relating to the theme "Boundaries".
I was so happy to use this opportunity to work with big photographers from around Pittsburgh, Jon Lisbon, Laura Petrilla, Brian Kaldorf, and Jen Saffron (Public Relations), and getting to know the other mentees, Mariah Wild and Allaire Bartel.
One thing I didn't expect was the amount of work it takes to put something together like this. Each quarter at The Art Institute, our final projects are usually a series of work that I can hammer out the images I want in a short amount of time. It was frustrating having to drive back from home over summer break several times for an hour meeting, and it was time and energy consuming. Scheduling my photos and finding time to composite it all was not something I wanted to add to the calendar, with my summer quarter of school starting. Then there was the cold calls and promoting that was a new thing to us all. My initial excitement was buried and hidden as this had become my sixth class I was taking for the quarter and nevertheless, more work.
I think this is how many great things come together. The initial idea of a project is always so appealing, but when I'm thinking of final images, I never take into consideration the work and the stress throughout the production. But the truth of the matter is that 9 times out of 10 we have to work through tough situations that are just plain time consuming, energy draining, physically exhausting, and sometimes emotionally tiring, too. If we realized how much of a toll it was to make a piece of art that had the potential to be our best to date, would we, as artists do it? Maybe I wouldn't depending on the situation, but I feel that as artists, especially, this is an opportunity to grow as people and in our art form to take on these, well, boundaries.
Now I am in no way degrading or looking down on the YPA program, because it was an absolute honor to be a part of it! What I am saying is that we need to be aware that success and great opportunities take hard work and dedication to come through and become something we can't even imagine. It's kinda like that Spider-Man quote, "With great power comes great responsibility." That Ben Parker, what a smart man. (Yes I totally just quoted Spider-Man in a blog post).
This program taught me things that I may never have learned about involving the process of developing concepts, shooting the photos, and promoting the final images just to name a few. The most important thing I took away was to let projects become something else, if that's the direction it can take to become more powerful and well rounded. We can't be stubborn to do photos or any type of work in such a rigid way, if it can be shared in another, better way. Let art evolve and change, while presenting your changed perspective through this art.
The gallery opening was more than I could ask for, and made all those prior boundaries seem like nothing at all. Every ounce of thought put into the show was worth it, and through promoting and networking brought an amazing turn out of support. That gut feeling when something works out perfectly and looks better than you imagined was the description of the Boundaries opening- maybe it was just nerves and butterflies, but I know there was a mixture of gratitude for frustration, stress, and work with it.
THANK YOU!
I want to thank everyone SO MUCH from the bottom of my heart who has been a part of the YPA Mentorship and the Boundaries Gallery. You all have been the absolute best support and I am especially grateful for everyone who came to the much anticipated gallery at Studio 3702 on September 12, and those who sent messages who weren't able to be there.
Thank you to Jon Lisbon, Laura Petrilla, Brian Kaldorf, and Jen Saffron for being the best Pittsburgh mentors and giving your time to help develop and produce a meaningful and amazing group of artwork! Thank you Laura for also opening up your studio for our meetings and to display our photos. Along with that, thank you to Mariah Wild and Allaire Bartel, a couple of extremely talented photographers and it has been so exciting to see our projects evolve, and come together to become something amazing. You both should be so proud of the work you've accomplished! Hard work definitely pays off.
I couldn't have done any of the images without any of my models, Aunt Donna, Grandma Garnet, Grandpa Bill, Rudy Oiler, and Pauline Roberts. Absolutely the sweetest people to work with, and to know. I wish I could have brought the show to all of you!
A giant thank you to my Dad for hand making my frames that he so gladly collaborated with me on. It was so cool to work together on a project that we both enjoy, and good grief, the man is a genius when it comes to building things.
Thank you to my Mom, for helping me travel and to shoot the "Boundaries" project, and for encouraging every project I have done (and for helping me keep my sanity when it all seems so overwhelming). And thank you for waking up at the crack of dawn and coming to Pittsburgh to spend time with me on this special day. Thank you also to Aunt Julia for joining our spontaneity!
Special shoutout to Jessica Kieffer for driving nearly four hours to just come see me at my gallery, and also to Katie Krocker and Brandon Schwartz, the cutest couple ever who drove all the way from Ohio to surprise me this evening. Y'all are the best!
Thank you to all my friends at The Art Institute for taking time to come see our show and hang out with us. And thank you to my North Hills family for supporting me in every adventure I take on! If I missed anyone, know that I appreciate all that you have done by ever helping and encouraging me.
Thank you, thank you, THANK YOU!! I am so so so grateful. I love you guys!