Endure
A CrossFit photo shoot with the one and only Karli Stroud!
It has been challenging but rewarding being able to work with many sweet clients and on many personal projects during the same time period recently. I'm thankful for all of you, to be able to spend a short time together reflecting each other's passions and sharing them through portraits.
Endure is a short series portraying my cousin, Karli, a caring and humble physical therapist, CrossFit coach, and an inspiration. This series is shown as it would in a magazine spread, and quotes from Karli herself and 9:24 CrossFit coach, Pete Doan.
Thank you all who were a part of this shoot, whether in pre-production, production, or the post-production, everyone who gave feedback and simply supports these big ideas I have.
Behind the Scenes
Live by faith & share through fotos.
Welcome to Fabulous Las Vegas
Portraits of my friends Lynzie & Bronson in Las Vegas, Nevada.
Since I've started living in the Los Angeles area, I've had unexpected and long awaited traveling opportunities with some of my "life goal" destinations. Not only have I been given the chance to see places around Southern California, but another spot on my list to see was Las Vegas, Nevada.
It was an amazing opportunity to meet up with my friends Lynzie and Bronson in Las Vegas. They had been planning their trip out for months, and I only a week, but I wanted to meet up with them when we were just hours away (a lot closer than being across the country!). Lynzie and I have been friends since kindergarten and they both live near where I am from in Ohio. So, in order to meet up with them, we in a way did a 'photo for travel' trade and I got to see the city in the process. Nothing like traveling with your friends and taking great photos along the way! Here are some of my favorite shots at Caesar's Palace and on our walks around downtown. (More to come in the future of my adventures traveling in Vegas and other places!)
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A "Modern Antique" Project
Bringing a little life into the style of antique portraiture in these Mock Wedding portraits with color.
About a year ago, I posted this photo on Instagram..
"When I heard about The Rescued Film Project (@rescuedfilm), it reminded me of one old photo I picked up at an antique mall several months ago in Wexford, PA. There's such a wonderful mystery about a photo without names, dates, places, or knowing the photographer that saw a specific scene. Was this taken on his or her way to work? How old was the photographer? Why was he or she drawn to the moment? I encourage you, with all old photographs, to appreciate the memory and time that it holds, and not to forget the life that breathes in it, still."
With that said, I have this love for antique photos, they just make me so curious. I was inspired to "recreate" photos to mimic the style of antique portraiture. I actually shot these before I graduated. I shot these in May earlier this year. The reason I haven't shared these sooner is because I've been having a creative block with this set of images. Sometimes this happens, and I've realized that I just have to wait it out and let them become what they need to be in order to be shared. I started this project thinking I wanted to share photos that looked worn and sepia tone or black and white. But after months of working with these, I decided that other than the first image, I would leave them images in color to let them come to life. Often times when we take a look at old family photos, we put this "tone" to them and can't or don't imagine what life really looked like other than in the photo. And so, I left these images in color, with an antique wedding setting, style, and wardrobe to not forget the life that has been involved in every photo ever taken regardless of time period, and the life that breathes in it, still.
Below is a before and after, showing the extensive work in Photoshop to make the atmosphere eerie and intriguing in this specific photo.
Behind the Scenes
A very special thanks to the people who made this shoot possible...
Models: Daniel & Bethany Snoke
Wardrobe: Shiloh Leath
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On Veterans Day
Final images from my shoot inspired by Call of Duty, with behind the scenes and before and after images.
Final image from Collin's shoot used for my print portfolio.
My inspiration for this shoot originally came from Call of Duty. My brothers used to be in love with the game, and gosh darn it, their promo photos are so good. Google Image search "Call of Duty" and you will agree completely. Plus, my friend Collin has been wanting to do a shoot for quite some time using all of his airsoft gear. We did the shoot in two sessions, one at sunrise and one at sunset, which makes for a pretty long day, but the crew had a nice long break for naps between. The team included Collin Galbraith as the model, Chelsea Black and my brother Jonathan Schonauer as assistants.
Although this was a personal project inspired by a video game, on a serious note, I'd like to dedicate these images to all the Veterans that have served our country. I take every thing I have for granted on a daily basis, forgetting the freedoms that I have, thanks to the brave American troops this country has, and our Awesome God. I debated sharing these images on Veterans Day because I didn't want them to be "offensive" in any way to make military or war look "easy" or "pretty" with all the Photoshop and setting up this shoot took. And I hope that that message doesn't get passed on through the images. I want these photos to represent the soldiers as individual people and be a reminder of the incredible sacrifice they have made. It's not much, but I just want these images to say "Thank you!".
Below is a before and after, showing the extensive work in Photoshop to make the atmosphere eerie and intriguing in this specific photo.
Behind the Scenes
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Internship with Kaela Speicher: Week 8
Assisting Kaela in a modeling portfolio shoot with Jaclyn.
Over the past two months, some big changes have come about in my life. Towards the end of June, I completed finals, wrapped up everything for Portfolio Show at Heinz Field and graduated from The Art Institute of Pittsburgh with my Bachelors in Photography. Needless to say, I've had my hands full with work, which I will be sharing more about in a later post. But on another note, I'll be catching up on posts from projects and the final weeks of my internship.
First up is behind the scenes of Kaela's modeling shoot with the always stunning, Jaclyn. Jaclyn is building her modeling portfolio, so I assisted during her shoot that took place in studio, downtown Pittsburgh, and Oakland. Jaclyn had a variety of classy outfit choices, and Kaela chose the perfect looks for each location. My favorite look may be the final one with the strips of light shining through the columns. I just love that the dress mimics the columns itself. As always, I'm still impressed with Kaela's abilities to location scout for a specific look and stay organized. A skill that is so necessary when it comes to photography and working with clients.
*Also did I mention Jaclyn looks like Angelina Jolie?!
Check out Kaela's website to see more of her fashion work: Kaela Speicher Photography
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Internship with Kaela Speicher: Week 7
Behind the scenes of a men's fashion shoot in Ohio.
As a photographer, there are always locations I keep secret and in mind for future shoots, just waiting for the perfect concept to make itself known. Kaela did the same with this location in the boonies of Ohio for a men's fashion shoot. We had a great team to work together for the day: Kaela was the photographer of course, makeup by Hannah Donovan, hair by Colton DeLong, stylist Teera Doner, model Gabriel Hopkins, and I assisted.
The look Kaela was going for was, and I quote, "new age refined lumber jack, Mumford and Sons meets runway". I love that description, and lets all agree here that everyone's work nailed it for this shoot!
The day was a long one, mostly from the heat and the bugs, and a random torrential downpour, but oh such a fun one seeing this shoot come together! Plus, it was in my favorite state and we were out in the country, so I felt right at home. And lo and behold, a rainbow was across the sky as we crossed the Pennsylvania state line. Happy endings, am I right?
While assisting and fighting off bugs, I was able to capture some moments behind the scenes again. Here are some of my favorites from the day!
See Kaela's images of Gabriel over on her website: Kaela Speicher Photography. You can click the link, or click the image below to see Gabriel's gallery.
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Internship with Kaela Speicher: Week 3 (Part 1)
Three things I learned how to become more organized when it comes to client meetings, client shoots, and personal projects.
Being an artist, there's something that's wonderful and intimidating about talking to other people about your work, especially with clients. So this week, Kaela set up a client meeting, and I went along to observe what needed to be covered, and how to prepare for it. Kaela met with her client for a future shoot geared toward revamping a modeling portfolio. Goal #4 on my list of things I wanted to learn through the internship was how to keep organized and schedule shoots in an organized, step-by-step way.
It's easy to become bombarded when dealing with multiple sides of a business by yourself, while coordinating client shoots and personal projects between a model, makeup artist, hair stylist, and personal schedules. It's a necessity that I learn how to keep this balanced and keep some sanity along the way. Not only did Kaela's men's fashion shoot the previous week help address this goal, but observing a one-on-one client meeting was so beneficial to understand how to keep organized, and how to take notes about what should be planned.
I learned 3 simple steps to keep organized and your sanity from all the elements involved that must come together.
1. Prepare. After the initial interest from the client, make an inspiration board for what he or she is looking for. You can also send this collection to hair and makeup artists you will be working with, if they are involved in the shoot. Write down any questions you have for the client, and make sure you bring these questions and a pen and paper for notes. Have an ideal schedule ready to share with the client, and you can make minor changes if need be.
2. Meet. Meet with the client (cute coffee shops are the best) and come to an agreement on what you are able and are willing to do on both ends. Sign contracts and model releases for your personal records, and have a copy available for your client. Plan specific wardrobe, hair, makeup, and locations to send to the rest of your team. Mark out what needs to be done before the shoot, and schedule days to meet these goals.
3. Organize. Make up an itinerary of the day of the shoot, and go over your checklist of client needs, location, wardrobe, equipment list, then update your creative team with this itinerary. Send any updates and keep in contact with your client so everyone is on the same page.
And bam! Whoever thought something so complex could be organized in such an easy way.
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1920s Inspired Cinemagraph
My first cinemagraph put together at this weekend's 1920s inspired shoot.
Cinemagraphs are so intriguing, but for some reason, so unsettling. And of course for this reason, I wanted to create my own. Cinemagraphs combine photography and video into one frame of continuous motion, but only of a selected part of the image. The process is a little tricky at first, but planning out the shoot, as always, makes it go much smoother.
We had the opportunity of working with the talented Angela Taylor of Blush Makeup Artistry to create those crazy eyebrows for this 1920s look. I thought a cinemagraph would go along perfectly with this 1920s theme with my dear friend, Elise.
"Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all, ..."
-Emily Dickinson
Live by faith & share through fotos.
Internship with Kaela Speicher: Week 1
My first week interning with Kaela Speicher, and a recently retouched image from a past shoot of mine, edited with retouching techniques taught by Kaela.
This past Monday was my last, first day of a new quarter as a photo student at The Art Institute of Pittsburgh. Oddly enough, I woke up bright and earlier with a huge smile on my face and excited to go to school. Which, in the rule book of a senior college student, I'm assuming that breaks all of them. Needless to say, I was more than excited to start learning one-on-one with Kaela beforehand. We met for our first official internship meeting Monday morning, covering Lightroom workflow and the beginning of retouching.
Retouching and post-production work 'makes my heart happy' if I can put it that way. I love the complete process of making a photo into another that's entirely new. I like to think that I can see the potential a photo has after I've shot it- not because it's a bad photo, but just how much more it can be elevated with post-editing. Retouching is a long process. And when I say it's a long process, I mean a while back I had to go to the chiropractor to get my wrists adjusted because I spent that much time at my computer. As some people dread the editing process, I highly enjoy having endless possibilities of altering a photo, literally at your fingertips. It can get very extensive at times, but seeing the difference from before to after is so rewarding.
Kaela sent me several photos she had shot, to practice her retouching technique. So much effort and time goes into editing, but the results aren't technically even noticeable, because the goal of retouching is to make it look like the photo wasn't touched. The file she had sent me as a reference she had edited had both before and after, and my jaw literally dropped when I saw how much work had been put into the photo. Her editing is so flawless that it's difficult to find the hours invested in such a beautiful image.
Through the week I have been working on different images, practicing the retouching technique that Kaela taught me. There is oh so much more to learn, and many more hours of practice to come. I came across a shoot from just over a year ago I had done with my sister when I first got my Alien Bee, and wanted to rework the editing and style I had previously. Below are the before and after shots- the straight out of camera image and my recently retouched image.
Internship with Kaela Speicher
An overview of my upcoming quarter interning with Pittsburgh photographer, Kaela Speicher.
Photo by Kaela Speicher
Yesterday afternoon I had the opportunity to meet with Kaela Speicher, a highly talented photographer based in Pittsburgh, PA with a passion in her styled fashion photography. Her personal work shows her many skills ranging from envisioning a shoot stylistically to the final retouching in post-production. I met with Kaela to finalize working as an intern with her my final quarter at The Art Institute of Pittsburgh, going over schedules, itinerary, and goals for this exciting opportunity.
When I first saw Kaela's work, I was very interested in her editing style; her retouching is so clean and hides the many hours of post-production in its natural appearance. Looking at her work, you can see the eye she has not only for each shot itself, but for the vision, styling, and location scouting that comes along with each shoot. Even though there is so much work before, during, and hours of editing after shooting for the final image, she enjoys what she does, and it shows.
See Kaela's fashion work on her website: www.kaelaspeicher.com.
Internship Goals
Over the next several months, I will be sharing updates about the Internship process with a look at what I'm learning, behind the scenes, and current projects. With the knowledge that Kaela has in a photography career, I have many goals for this time in working with her.
1. Retouching. Phlearn is an amazing site that has taught me everything I know about retouching and post-production, but I know I can always improve my skills and learn different methods. With the endless possibilities in Photoshop, there are countless ways to approach editing. My goal is to learn to new ways to retouch for a natural and an "unedited" look. Along with this, getting an effective workflow down would benefit my working process.
2. Reviewing technical skills and marketing strategies. Reviewing the basics are never a bad idea, and sometimes you can learn something that you missed the first round. I want to work my way up in reviewing from the basics of photography to business and marketing strategies, as well as building SEO. Some additional steps I would like to cover are what types of jobs are ideal for my personal style in work.
3. Transitioning from the label "student" to "professional". It's the curse of a photo student. People tend to look down on students and not consider them professional until they have degrees. As we are told by our professors, we are to look at our work and ourselves as professionals, as this is the only way we can be viewed as one. However, the actual transition to the real world from student life is harsh and sudden. It's a huge reality check and will make or break you. Upon graduation, I hope to push myself to use my learned skills in a career setting and keep working to find the job for my work.
4. Keeping organized and scheduling shoots in a successful way. It's easy to become bombarded when dealing with multiple sides of a business by yourself and coordinating shoots between a model, makeup artist, hair stylist, and personal schedules. It's a necessity that I learn how to keep this balanced and keeping some sanity along the way.
5. Developing my final portfolio in my style. I feel that often it's difficult to shoot specifically for a personal portfolio. When you are shooting for other people and their visions, it's easy to push your personal work aside. As I am graduating at the end of the Internship, I would like to gear everything I produce to my final portfolio that reveals my personal style.
Internship Final Project
Kaela also introduced the idea for the end of my Internship to shoot a project, and have her as my assistant in the shooting process. This would serve as a final project to showcase my improved skills over the three month period and shot specifically as a personal projects. Highly inspired by the work of Brooke Shaden, a fine art photographer, and Kirsty Mitchell, a fine art and fashion photographer well known for her Wonderland series, I want to develop a conceptual shoot with the intricate details to produce a surreal and styled environment and look. This will also push me to work with other artists for styling and allow me to use composite and retouching techniques as well.
Next week I'll be sharing more about my Internship with Kaela as it officially begins in the new and my final quarter at The Art Institute. Thanks for reading!
Live by faith & share through fotos.
Out of the Fog Final Book
The final product of "Out of the Fog" from Artisan State.
What started out as a class project for Thesis has grown into a special personal project. Out of the Fog focuses on self-worth through symbolism, and I may eventually open the series back up. As the project grew into something so very important to me, I wanted to make sure the final product, which was to be a self-published book without limits of dimension or company, was printed to show the significance of each person who took part in the series.
For my final printed book, I wanted to produce a very clean and simplistic layout on white pages. The company I chose had the option for lay flat pages that emphasized the portraits and let the viewer enter the world of the model. The text shows the full name of the model in the first portrait, and in the second portrait/composite image is the text for the poems I wrote based on the interviews with each model.
Beyond impressed is the only way I can describe how I feel about the quality of the book. It really took my book to the next level compared to other companies I had researched for printing. Below you can flip through the pages of my final book for Out of the Fog.
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BTS of Out of the Fog: Shiloh Leath (Part 2)
Part 2 of the behind the scenes look at the final shoot with Shiloh Leath for Out of the Fog, focusing on the specific styling, use of fog, editing techniques, and symbolism in final images.
As mentioned last week, this week I would like to share my thought process behind the specific look shared through the tones, use of fog, and other editing techniques in Shiloh's Out of the Fog shoot, along with the symbolism and poetry in her portraits.
Why did I choose specific lighting set ups and editing techniques through tones? For this project, I was highly inspired by the works of Michael Bader, Laurie Bartley, and Jade Mai. Each of these artists' works has a feel of cinematic quality through lighting and editing techniques Their technical skills are combined with symbolism, that is presented through their models and scenes, making them appear significant. By editing in a cinematic type style, it shows that the model is part of a story, and have their own story.
Why is there fog? Fog causes confusion and a loss of sense of direction, which can mean either physically or mentally. Fog can also represent danger as it hides things from us, like truth. So, in this series, the fog is presented as a symbol that represents all the cloudiness and confusion of who the model is, as they are literally coming out of the fog and revealing who he or she is.
So why does her nose appear to be broken or cut? As mentioned last week, through the final images, I wanted to get across every essence of the pain that she has faced, and how she has risen from it. I wanted to present her in a beautiful way as though she has literally healed and risen up to where she is now, although the mark is left behind in a subtle way that may be noticed at first or second glance.
Why did I choose the outfit? Shiloh is a photographer as well, and works with mostly female models in the fashion and fine art categories. I wanted to portray her how she would portray one of her own models, as this art form of photography is so much a part of who she is.
What does the poem mean? The poem reads: "Buried alive/The flesh will fail./Into the fray,/Battle the veil." This poem follows the idea of Shiloh rising from the pain that she has suffered from, and that physically we weaken. For the second portrait of her, I wanted to have her picking up her dress and walking with such intensity as though she were literally about to go into battle ("Into the fray). Shiloh shared with me that she feels very strongly about feminism, therefore "Battle the veil", a veil as it represents female power.
Here are the before and after shots of each image.
Before
After
Before
After
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Behind the Scenes of Out of the Fog: Shiloh Leath (Part 1)
A behind the scenes look at the final shoot with Shiloh Leath for Out of the Fog.
On January 9th, I shared my personal project entitled Out of the Fog. Out of the Fog is a series that brings out the hidden thoughts of self-worth among individuals. Created with elements of mystery, surrealism, and dramatic qualities, symbols are used in each image to represent the idea of self-worth. The portraits also involve the models' perspectives of who they are, what their values are, how they doubt themselves, and what keeps them from being positive. Read more about the meaning and inspiration behind Out of the Fog by reading my introduction here: Introduction.
When I approached Shiloh to see if she would have any interest in being one of my subjects, she was more than willing and very excited to share her story. In fact, I still have the message she sent which read, “Yes I'm so so so honored you thought of me. I'm a huge fan of your work. Just let me know what to do.” With lots of happy emojis. That’s the kind of people I like to work with, people who are excited to make art happen, and are willing to go out of their way to make it work. Shiloh is a photographer as well, and has amazing work, which you can view on her page here: Shiloh Victoria Photography. Not only is her work incredible, but so is her story. Like all the other models, I interviewed Shiloh to answer the questions listed previously. Through the final images, I wanted to get across every essence of the pain that she has faced, and how she has risen from it. She is also very much for feminism and shows that through her images. I wanted to replicate the style of work she creates, because it is so much a part of who she is.
If there is any advice to share with fellow photographers, I would say don't be afraid to direct your subject. YOU are the only one that has the vision of the final image, and it is up to you to explain it to the best of your ability. There is no other way that your model can portray what you see in your mind. If the photo isn’t working out how you had planned, take a short break and demonstrate what you want done. And of course, always be respectful and kind to your model in the process of working with them.
The lighting set up was relatively simple. I prepared for the worst, and brought four flashes and stands with me, but only ended up using one. I used the one flash and a combination of ambient light for a more dramatic look. And with the help of my assistant, I used a gold reflector to bounce some of the flash back into the shadows.
The final images chosen to be used for Out of the Fog from Shiloh's shoot look very different than the shots straight out of camera. Next week, I will be sharing the specific look I wanted to share through the tones, use of fog, and other editing techniques. I will also be sharing more in depth on the symbolism and poetry shared along with these two portraits.
The first image was shot with my 85mm, 1/125 at 2.8, ISO 100. I really love the shadows and the light it brings to only part of Shiloh's eyes, created with the use of one flash off to the right and pointed down.
The second image was shot with my 24-105mm, 1/80 at f/4, ISO 200. The same lighting technique was used for this shot to create a dramatic atmosphere.
Special thanks to Elise Baker of E.B. Photography for behind the scenes photos.
Live by faith & share through fotos.
Laying Framework for "Boundaries"
Behind the scenes of framing the YPA "Boundaries" images in collaboration with my Dad.
A few weeks ago, I shared photos from the YPA "Boundaries" Gallery that took place at Studio 3702 in Lawrenceville, downtown Pittsburgh. What you may or may not know is that the frames that displayed my photos were a side art project for my Dad and I to complete together.
You're probably wondering why I wouldn't have just bought frames. When looking at the images of these people, I wanted the frame to resemble looking through a window into this little world of "wisdom". (To read more on my series, visit my previous blog post or gallery on my home page). Plus, I love collaborating in DIY projects, and this was right up Dad's alley. And I can't forget the deal breaker- building something yourself can save a heck of a lot of cash, just don't forget the amount of time you're exchanging.
The frames were handmade from simple barnwood found in my grandparents barn. My Dad had glass cut for each frame and rigged a system that lit my images from behind, which unexpectedly created an effect that made the characters in the photos become much more real and 3D. Something that can be simply put into words doesn't always give credit for the amount of time spent working on a given project.
Thank goodness Dad is a genius when it comes to building things. With my own doing, the frames probably would have been hanging upside down. Being grateful only begins what I am for having Dad and others that support me and my art, let alone collaborate with me! Thank you times a million!!
Dad holding the final product after a full week of work on the five frames we designed and he built from scratch.
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Facing Boundaries in "Boundaries"
My thoughts and many thanks on the YPA "Boundaries" Gallery at Studio 3702.
Photo courtesy of Anne Troxel / Edited by Leah Schonauer
As many have seen through social media, this summer I was chosen to be a part of the Young Photographers Alliance (YPA) Mentorship Program. This program was a national project where mentees were chosen from participating cities and worked with mentors to explore and create a series. During the course of about three months time, each of us were to create a series of work relating to the theme "Boundaries".
I was so happy to use this opportunity to work with big photographers from around Pittsburgh, Jon Lisbon, Laura Petrilla, Brian Kaldorf, and Jen Saffron (Public Relations), and getting to know the other mentees, Mariah Wild and Allaire Bartel.
One thing I didn't expect was the amount of work it takes to put something together like this. Each quarter at The Art Institute, our final projects are usually a series of work that I can hammer out the images I want in a short amount of time. It was frustrating having to drive back from home over summer break several times for an hour meeting, and it was time and energy consuming. Scheduling my photos and finding time to composite it all was not something I wanted to add to the calendar, with my summer quarter of school starting. Then there was the cold calls and promoting that was a new thing to us all. My initial excitement was buried and hidden as this had become my sixth class I was taking for the quarter and nevertheless, more work.
I think this is how many great things come together. The initial idea of a project is always so appealing, but when I'm thinking of final images, I never take into consideration the work and the stress throughout the production. But the truth of the matter is that 9 times out of 10 we have to work through tough situations that are just plain time consuming, energy draining, physically exhausting, and sometimes emotionally tiring, too. If we realized how much of a toll it was to make a piece of art that had the potential to be our best to date, would we, as artists do it? Maybe I wouldn't depending on the situation, but I feel that as artists, especially, this is an opportunity to grow as people and in our art form to take on these, well, boundaries.
Now I am in no way degrading or looking down on the YPA program, because it was an absolute honor to be a part of it! What I am saying is that we need to be aware that success and great opportunities take hard work and dedication to come through and become something we can't even imagine. It's kinda like that Spider-Man quote, "With great power comes great responsibility." That Ben Parker, what a smart man. (Yes I totally just quoted Spider-Man in a blog post).
This program taught me things that I may never have learned about involving the process of developing concepts, shooting the photos, and promoting the final images just to name a few. The most important thing I took away was to let projects become something else, if that's the direction it can take to become more powerful and well rounded. We can't be stubborn to do photos or any type of work in such a rigid way, if it can be shared in another, better way. Let art evolve and change, while presenting your changed perspective through this art.
The gallery opening was more than I could ask for, and made all those prior boundaries seem like nothing at all. Every ounce of thought put into the show was worth it, and through promoting and networking brought an amazing turn out of support. That gut feeling when something works out perfectly and looks better than you imagined was the description of the Boundaries opening- maybe it was just nerves and butterflies, but I know there was a mixture of gratitude for frustration, stress, and work with it.
THANK YOU!
I want to thank everyone SO MUCH from the bottom of my heart who has been a part of the YPA Mentorship and the Boundaries Gallery. You all have been the absolute best support and I am especially grateful for everyone who came to the much anticipated gallery at Studio 3702 on September 12, and those who sent messages who weren't able to be there.
Thank you to Jon Lisbon, Laura Petrilla, Brian Kaldorf, and Jen Saffron for being the best Pittsburgh mentors and giving your time to help develop and produce a meaningful and amazing group of artwork! Thank you Laura for also opening up your studio for our meetings and to display our photos. Along with that, thank you to Mariah Wild and Allaire Bartel, a couple of extremely talented photographers and it has been so exciting to see our projects evolve, and come together to become something amazing. You both should be so proud of the work you've accomplished! Hard work definitely pays off.
I couldn't have done any of the images without any of my models, Aunt Donna, Grandma Garnet, Grandpa Bill, Rudy Oiler, and Pauline Roberts. Absolutely the sweetest people to work with, and to know. I wish I could have brought the show to all of you!
A giant thank you to my Dad for hand making my frames that he so gladly collaborated with me on. It was so cool to work together on a project that we both enjoy, and good grief, the man is a genius when it comes to building things.
Thank you to my Mom, for helping me travel and to shoot the "Boundaries" project, and for encouraging every project I have done (and for helping me keep my sanity when it all seems so overwhelming). And thank you for waking up at the crack of dawn and coming to Pittsburgh to spend time with me on this special day. Thank you also to Aunt Julia for joining our spontaneity!
Special shoutout to Jessica Kieffer for driving nearly four hours to just come see me at my gallery, and also to Katie Krocker and Brandon Schwartz, the cutest couple ever who drove all the way from Ohio to surprise me this evening. Y'all are the best!
Thank you to all my friends at The Art Institute for taking time to come see our show and hang out with us. And thank you to my North Hills family for supporting me in every adventure I take on! If I missed anyone, know that I appreciate all that you have done by ever helping and encouraging me.
Thank you, thank you, THANK YOU!! I am so so so grateful. I love you guys!